'Sunflower seeds 2010' by Ai Weiwei |
The idea behind 'Sunflower Seeds' was created to parallel the growth of materialism, globalization and mass-production in China, and the increasing impotence of the modern worker, creating meaningless products for distant, demanding markets. The 'seeds' were manufactured by traditional methods in the city of Jingdezhen, China, the major center for the production of Imperial porcelain for over a thousand years. Weiwei has always been "fascinated by the cultural traditions of materials and objects, and of porcelain in particular—the survival of its artisan production, its supreme quality, its early traditions of mass production and global export and the value still invested in it as a cultural artifact in China today"(John Jervis). The seeds were also symbols of the Cultural Revolution.
The installation was meant to be walked over, however after it's first few days in the gallery, it became a health concern due to possible inhalation of the porcelain dust and visitors were only able to look. This increased the sense of sorrow and stillness. "It reinforced allusions both to ash, with its connotations of cremation, and to the fundamental tensions between the individual and the collective in Chinese society, as the field of seeds, seemingly identical yet each unique, laid dormant." (John Jervis)
The original installation, which was installed at The Tate Modern Turbine Hall in London, UK., covered 1,000 square meters to a depth of ten centimeters, but has since then been sold off in quantities. It's most recent sale this past week was for one ton, from the original 150, which was auctioned off and sold for $782,500!
Hope you have a wonderful weekend!
* Tate Modern
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